THOMAS EDWARD DAUGHERTY (Victor Pratt) is thrilled to make his Laguna Playhouse debut. San Diego Theatre: Quinn Carney in The Ferryman at New Village Arts Theatre. Other theatre: National Tours (Ragtime, Showboat); Kennedy Center (Bounce); Goodman Theatre (All’s Well That Ends Well, Bounce); Chicago Shakespeare (As You Like It, Winter’s Tale, Troilus & Cressida); Drury Lane Oakbrook (1776, The Foreigner, A Chorus Line, Big); Marriott Lincolnshire (Houdini, the Musical); Apple Tree Theatre (Old Wicked Songs, The Dying Gaul); New American Theatre (Picasso at Lapin Agile); Montana’s Shakespeare in the Parks (Macbeth, The Country Wife). Training: BFA Musical Theatre, University of Michigan — Go Blue! Tom’s day job: Employment law attorney at Klinedinst PC. Much love and many thanks to Jacquelyn Ritz (a North Coast Rep regular), Nick, Zach, and Caroline for making this possible.

ERIN NOEL GRENNAN (Olga Molnar) is grateful to make her Laguna Playhouse debut. Regional credits include: Reckless and Incident at Our Lady of Perpetual Help at Cincinnati Playhouse; The Outsider (world premiere) at Paper Mill Playhouse; Unnecessary Farce (world premiere), and Wit at Boarshead Theatre; Timon of Athens at Chicago Shakespeare Theatre; A Moon for the Misbegotten, Blithe Spirit, The Taming of the Shrew at First Folio; A Christmas Carol at Geva; A Flea in Her Ear, The Foreigner, The Man Who Came to Dinner at Drury Lane; Noises Off at Totem Pole Playhouse; seven seasons with Peninsula Players Theatre, including Angel Street, Sunday in the Park with George, The Game’s Afoot, the world premieres of Making God Laugh and The Tin Woman; and four productions with The Gaiety Theatre in Ireland. TV credits include “The Other Two,” “Dr. Death,,” “Bull,” “Law & Order: SVU,” “Blue Bloods,” “FBI: Most Wanted,” “Chicago Med,” “Chicago Fire,” and roughly umpteen commercials. erinnoelgrennan.com.

ELINOR GUNN (Margot Bell) is honored to make her Laguna Playhouse debut. Notably, she has worked with Sir Alan Ayckbourn in the American premiere of Sugar Daddies at ACT Theatre in Seattle, and Paula Vogel in the inaugural Hearst Theater Lab Initiative Distinguished Visiting Playwright-in-Residence at UCLA. She just recently closed a sold-out run of The Tempest as Ariel at Antaeus Theatre in LA. Favorite roles include Kyra in Skylight at ACT, Michelle in For the Love Of at the Kirk Douglas, and Raina in Arms and the Man at The Jewel Theatre. Her most recent television credits include guest starring on “9-1-1” (Fox) and “Legacies” (CW), co-starring on “The Dropout” and “Bust Down,” and appearing in several national commercials.

JAMES NEWCOMB (Arthur Sanders) North Coast Rep: The Homecoming, Christmas Carol (as told by one man who cares — Streamed), How the Other Half Loves. The Old Globe: Da Vinci in The Note Books of Leonardo Da Vinci, Twelfth Night, Coriolanus, and Much Ado About Nothing. San Diego Rep: Honky, Zoot Suit, Brooklyn Boy, and The Illusion. Cygnet Theatre: Henry in Present Laughter, Roy Cohn in Angels in America (Craig Noel award). Other Theatre: Oregon Shakespeare Festival (14 Seasons), Denver Center Theatre (9 Seasons), The Public Theatre, B.A.M. Utah Shakespeare Theatre, Shakespeare & Company (founding member), The Goodman, Chicago Shakespeare, Berkeley Rep, South Coast Rep, Portland Center Stage, Missouri Rep, Arizona Theatre Co., and Geva Theatre. Representative Roles: Oxford Society Award for Richard III (O.S.F.), Drama Log Award for Touchstone, (S.S.C.), Coriolanus, Iago, Bottom, Feste, and The Duke in Measure for Measure. T.V.: “The Hand That Rocks the Cradle,” “Honky” (P.B.S.), and “I Want to Keep My Baby” (CBS). Film: “Lone Wolf.” Directing: Much Ado, Midsummer (USD Graduate Program), Lone Star, True West, and Found a Peanut (National Theatre Conservatory). Continuing Lecturer: U.C.S.D. Graduate Theatre Program.

BARBARA E. ROBERTSON (Charlotte Sanders) is very happy to be making her Laguna Playhouse debut, and working again with Paul Slade Smith (Wicked) and Erin Noel Grennan (The Last Night of Ballyhoo). She can be seen in “Somebody Somewhere”; “Working Man”; “LOL,” “Freelancers Anonymous,” Robert Altman’s “The Company” and David Lynch’s “The Straight Story.” She’s received two dozen awards and nominations for her work in theatre productions as diverse as: Queen of the Mist (Firebrand); A Doll’s House Part Two (Steppenwolf); Murder on the Orient Express (Milwaukee Rep); The Detective’s Wife (Writers’); Who‘s Afraid of Virginia Woolf? (Court); life sucks (Lookingglass); A Little Night Music; The Tempest; Hamlet (Chicago Shakespeare); The Goat, Or Who is Sylvia; Pal Joey, House, Garden and Hollywood Arms (Goodman); Kabuki Medea (Kennedy Center); Other Than Honorable (Geva); and the first National Tour of Angels in America I & II. She’s a proud member of AEA, SAG/AFTRA and teacher at Columbia College.